诚斋体与诚斋诗的阅读  

On Chengzhai Style and the Reading of Chengzhai Style Poems

作　　者：薛瑞生[1] 

机构地区：[1]西北大学文学院,陕西西安710069

出　　处：《乌鲁木齐职业大学学报》2012年第2期59-68,共10页Journal of Urumqi Vocational University

摘　　要：诚斋体自淳熙五年戊戌前后基本形成。所谓"活法",即变化无穷,不死于典下,不死于句中,故能生面叠出,读来顿生似曾相识而又未尝谋面之感。"新奇",成就了诚斋的"活法"。"活法"乃其外在表现形式,而"新奇"才是其精髓。与"新奇"相表里的,是诚斋的"诗味"说,其旨在推重诗风和婉。对近体诗韵诚斋取通脱态度,主张抒写性灵,不以韵律为限。诚斋体就是形式与内容的完美结合的统一体。The Chengzhai style was finally formed in about the fifth year of Chunxi（1178）,in which the so-called ＂flexible approach＂ referred to changes,i.e.not to adhere rigidly to poetry patterns or sentence patterns but changeable while similar to the original style,and so ＂novelty＂ became the spirit of the ＂flexible approach＂.＂Flexible approach＂ is the way to show its outer forms while ＂novelty＂ is the soul of this style of poems which put emphasis on flavor above verses and grace.Chengzhai style poetry belongs to contemporary poetry which advocates flexibility and not to limit themselves to meters and rhymes.Chengzhai style is a complete unity of the outer form and the inner content.

关 键 词：杨万里 诚斋体 活法 新奇 诗风和婉 

分 类 号：I206.2[文学—中国文学]