古丁与“大东亚文学”  

Guding and "Great East Asian Literature"

作　　者：刘旸[1] 尚侠[2] 

机构地区：[1]东北师范大学外国语学院,吉林长春130024 [2]东北师范大学日本研究所,吉林长春130024

出　　处：《外国问题研究》2013年第1期31-35,共5页FOREIGN HISTORY STUDIES

基　　金：教育部人文社会科学研究规划基金项目"伪满历史文化与现代中日关系"(编号:10YJAGJW013);吉林省社会科学基金项目"伪满时期中国本土作家研究"(编号:2012JD01)

摘　　要：1942年至1944年间,伪满文坛出现了"大东亚文学"的潮流。被认定为"弄潮儿"的古丁,由于留下了三次参加大东亚文学者大会的经历而难辞其咎。古丁与"大东亚文学"的关系,于是成为作家作品研究的一个重要话题。本文从作家真实经历与文本深层解读两个视角,对这一时期的古丁进行了实事求是的现代解读,力图触及伪满作家作品研究的复杂与艰难,并借此找到古丁研究的新路径。During the years of 1942--1944, the trend of ＂The Great East Asian Literature＇appeared in the Manchurian literary circle. Guding,identified as the ＂current leader＂ by the academic field, was hard to escape the blame for his participating the Greater East Asia Literary Conference three times. The relationship of Guding and ＂Great East Asian Literature＂ became an important topic in the study of writers＇ works. In this article, the author makes a matter-of-fact modern interpretation of that time＇s Guding, from the two perspectives of his real experience and text, and tries to mention the complexity and difficulty in the research of Manchurian writer＇s works, and to find the new road of Guding research.

关 键 词：古丁 大东亚文学 日本文学报国会 

分 类 号：I313.06[文学—其他各国文学]