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作 者:高红梅[1]
出 处:《广播电视大学学报(哲学社会科学版)》2013年第1期23-27,共5页Journal of Radio & TV University(Philosophy & Social Sciences)
基 金:国家社会科学基金项目<诗词关系与词体演进>的阶段性成果;项目批准号:09xzw008
摘 要:隋唐燕乐的兴起,开辟了一个崭新的音乐时代,不仅形成了一种新型的民族音乐,而且极大地推动了隋唐文化的发展。受这种新型流行音乐的影响,不论是隋唐诗歌的创作,还是配合燕乐演唱的曲子词的创作,都不约而同地在内容和形式上发生了显著的变化,合乐性成为当时韵文文体的共同特点,而"选词以配乐"以及由此衍生出来的"依调以填词"的创作方法,成为了这种新音乐对原有文学样式的加工手段以及对新文体样式的催生方式,并且在客观上起到了规定两种主要韵文文体——唐诗和曲子辞的发展方向的作用。The rise of sui and tang dynasties Yan has opened up a new music era, not only formed a new type of national music, but also greatly promote the sui and tang dynasties, the development of culture. Suffer this kind of new pop music influence, whether the sui and tang dynasties poetry creation, or cooperate with Yan singing tune the creation of words, all in the content and the form has changed dramatically, GeLe sex become the verse style common characteristics, and "selected word to score" and derived from the " in blended with the lyric" creation method, became the new music to the original literature style processing means and new style gave way, and objectively play a regulation two main verse style - tang poetry and the song of the role of speech development direction.
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