现代影像对少数民族文化的选择与重构——基于对电影《赛德克·巴莱》的分析  

Modern Images′ Selection and Reconstruction of Ethnic Cultures——Based on the Analysis of the Film Seediq Bale

作　　者：张婷婷[1] 

机构地区：[1]云南师范大学传媒学院,云南昆明650500

出　　处：《学术探索》2013年第4期122-126,共5页Academic Exploration

摘　　要：电影《赛德克·巴莱》再现了台湾两次雾社事件的全过程。影片从服饰、语言、民俗风情、信仰和宗教仪式等方面,对赛德克族的文化进行选择,而这种选择受意识形态、商业需求和导演主观意向的影响。在保留少数民族文化精髓的基础上,影片对民族文化进行叠加与修改,并以"大片"的形式进行展示。该片对赛德克族文化的选择和重构,还有很多值得思考和反思的地方。In the film Seediq Bale, the whole process of the two Wushe events in Taiwan was reproduced. The Seediq culture was selected in terms of dress, language, folk customs, beliefs and rituals, and this selection was affected by the ideology, business needs and the subjective intent of the director. While retaining the essence of minority cultures, the movie made some overlay and modification of the national culture, and then displayed it in the form of ＂blockbuster＂. There are many places worth re- flection on the reconstruction and choice of the Seedip culture in the film.

关 键 词：现代影像 少数民族文化 选择 重构 《赛德克·巴莱》 

分 类 号：J904[艺术—电影电视艺术]