论晚明曲学虚实观  

On the Development of Virtual-Actual Theory in Dramatic Studies of Late Ming Dynasty

作　　者：郑小雅[1] 

机构地区：[1]泉州师范学院文学与传播学院,福建泉州362000

出　　处：《泉州师范学院学报》2013年第1期47-51,共5页Journal of Quanzhou Normal University

基　　金：泉州师院社科研究项目(2008SK04)

摘　　要：随着晚明戏曲理论研究的不断深入,曲学虚实论逐渐成为晚明曲论者注目的课题。从李贽到汤显祖、谢肇浙,再到王骥德等曲论研究者,无不强调戏曲创作虚实结合的基本原则,这从叙事的角度确认了戏曲构撰故事的虚构性文艺本质特征。另一方面,晚明曲学虚实论的精神实质又赋予了戏曲叙事强烈的情感色彩,从理论的角度肯定了戏曲抒情写意的民族特色。With the constant deepening of dramaturgical studies of the late Ming Dynasty, the Virtual-Actual Theory in dramatic studies has gradually become the attractive subject to drama researchers. From Lizhi to Tangxianzu and Xiezhaozhe, and to Wangjide, etc., all the researchers emphasized the basic principle of the virtual-actual combination in drama creation, they also confirmed the characteristics of the essence of art in drama fabrication from the perspective of narration, and thus promoted the prosperous development of drama creation in late Ming Dynasty from the viewpoint of art.

关 键 词：晚明 戏曲 虚实论 

分 类 号：I207.24[文学—中国文学]