论金庸小说的新法家文化形态  

The Neo-Legalist Cultural System in Louis Cha's Martial Arts Fictions

作　　者：韩云波[1] 

机构地区：[1]西南大学学报编辑部、文学院中国侠文化研究中心,重庆市400715

出　　处：《西南大学学报（社会科学版）》2013年第2期90-103,175,共14页Journal of Southwest University(Social Sciences Edition)

基　　金：国家社科基金项目“中国现代武侠文学发生期研究(1900-1949)”(11BZW100),项目负责人:韩云波;教育部人文社会科学研究规划基金项目“‘后金庸’武侠小说与武侠文化现象研究”(07JA751029),项目负责人:韩云波;重庆市社科规划项目“中国武侠小说发展道路研究”(2009YY05),项目负责人:韩云波

摘　　要：金庸小说在对中国传统文化进行细致梳理和深刻理解的基础上,全面探讨了以儒家主流文化为核心的中国传统文化之"成法",以"为国为民,侠之大者"的理念进行了侠的思想实验。金庸小说思想实验的最终结论是必须"变法",以《鹿鼎记》为核心,金庸小说构建了一个相对完整的"变法"系统,并最终在他的社会实践中得出了"自由+法治=稳定+繁荣"的结论,由此构建起了金庸小说的新法家文化形态。这对理解中国文化传统与重现武侠光辉,无疑都具有积极的意义。With the profound conception and detailed interpretation of Chinese traditional culture,Louis Cha in his martial arts fictions offered comprehensive discussion of the formation of Chinese cultural tradition with the mainstream Confucian culture as the core value and had his marital arts experiments with the idea of the swordsmen serving both the country and the people.What follows naturally with Luis Cha's experiment is the inevitable 'reformation'.With the novel The Deer and the Cauldron:A Martial Arts Novel as the core part,Luis Cha depicted a relatively complete 'reformation' system and summarized the idea that 'freedom plus governing by law equals stability and prosperity'.A Neo-legalist cultural system is thus constructed.A conception of this will help us to have better understanding of Chinese cultural tradition and the glory of the marital arts culture.

关 键 词：金庸小说 中国传统文化 儒家 法家 新法家文化 成法 变法 自由法治 

分 类 号：I207.424[文学—中国文学]