南朝乐府的文人改造与宫体诗形成  

Literati Transformation in Southern Dynasty Yuefu and Formation of Palace Poetry

作　　者：张宝林[1] 孟庆阳[1] 

机构地区：[1]齐齐哈尔大学,黑龙江齐齐哈尔161006

出　　处：《宁波工程学院学报》2013年第1期6-9,共4页Journal of Ningbo University of Technology

基　　金：黑龙江省艺术科学规划项目(项目编号:11D026)

摘　　要：南朝乐府的文人改造,就是把民间巷闾之乐改造成适合宫廷贵族享乐需要的艳情乐府形式。南朝乐府是以吴歌、西曲为主体形式的,在文人集团的倡导和践行下,他们倚声填词,对吴歌、西曲进行改造,形成了形式上短小精悍,内容上表现儿女情愁,风格上幽婉,乐舞曲调冷艳的新型乐府形式,这种形式契合了宫廷贵族享乐的需要。文人改造南朝乐府的艳化结果,形成了一种新的诗歌体裁——宫体诗。The literati transformation in the Southern Dynasty refers to the change of folk lane music into erotic Yuefu,which satisfied the needs of the court and the aristocracy.The Southern Dynasty Yuefu takes the Wu song and the West song as its main body.Under the advocacy and practice of the literati group,according to the sound lyrics,they wrote Ci and transformed the Wu song and the West song into the new Yuefu type which was short and pithy in form,profound in style and showed complex love feelings in the content.This type suited the pleasures of the court and the aristocracy.It led to the emergence of a new poetic genre——palace poetry.

关 键 词：南朝乐府 文人改造 宫体诗 

分 类 号：I207.22[文学—中国文学]