宜黄戏人物形象塑造特点初探  

On the Characteristics of Shaping Characters in Yihuang Opera

作　　者：邓少波[1] 邓彬 

机构地区：[1]东华理工大学艺术学院,江西抚州344000 [2]抚州市汤显祖大剧院,江西抚州344000

出　　处：《东华理工大学学报（社会科学版）》2013年第1期1-3,共3页Journal of East China University of Technology(Social Science)

基　　金：2012年度江西省高校人文社会科学研究项目"明清戏曲插图的技法研究"(YS1201)

摘　　要：宜黄戏的人物表演手法多样,不仅具有本土文化的特色,还吸收了其他民间艺术的表演形式,更好地塑造了人物形象。在表现和塑造人物形象的唱腔节奏、声腔旋律方面,宜黄戏有其与众不同的特点。宜黄戏的念功表现特色十足,地方色彩浓郁;声腔伴奏、曲牌音乐风格独具;在做功方面,宜黄戏有着自己的独特之处;在行当分工方面,宜黄戏的角色行当分工严密细致。在服装道具方面,宜黄戏早就传有"穿黑不穿绿,穿黄不穿白""宁可穿(用)得破,也不乱穿(用)错"的戏班训条;宜黄戏脸谱只用黑、红、白三种对比强烈的色彩,线条简单明快,寓意明确深远,较为原始地保留了地方传统戏剧的风格特色。Characters performing in Yihuang opera has various means. It not only has the features of the local cul- ture, but also absorbs the other folk art performances. Yihuang opera has its out-of-the-ordinary characteristics in the singing rhythm, melody, Shahada and acting. In the Shahada performance, Yihuang opera is full of local fla- vor and unique in vocal accompaniment and curved music style. In the business division, Yihuang opera has a careful role division. In the clothing props, Yihuang opera has an instruction, namely ＂wear black not green, yellow not white; better wear the broken than the wrong＂. The masks of Yihuang opera are with black, red and white which have a sharp contrast, and the lines are simple, lively and far-reaching in meaning. These better re- tain the local traditional drama style.

关 键 词：宜黄戏 唱腔声腔 念功 做功 服装道具 脸谱化妆 

分 类 号：G127[文化科学]