克孜尔石窟中的游牧艺术元素  

The Nomadic Art Elements in Kizil Frescos

作　　者：满盈盈[1] 

机构地区：[1]江南大学设计学院,江苏无锡214122

出　　处：《新疆大学学报（哲学社会科学版）》2012年第6期56-60,F0003,共6页Journal of Xinjiang University(Philosophy and Social Sciences)

基　　金：2011年教育部人文社会科学研究规划基金项目"西域石窟寺艺术研究"(11YJA760026);2011年中央高校基本科研业务费专项资金资助项目"龟兹石窟艺术元素研究"(JUSRP111A60)

摘　　要：克孜尔石窟中的艺术造型,具有游牧动物纹饰的典型特征,与游牧民族的习俗和信仰密切相关。游牧民族传播并支持了佛教艺术,克孜尔石窟对游牧艺术的青睐与抉择,得益于龟兹与周边游牧民族悠久的历史渊源,以及龟兹自身所具有的游牧经济成分。克孜尔石窟中游牧艺术元素的研究,对于探索龟兹艺术模式的形成,寻找欧亚草原游牧文化的价值,重构龟兹与游牧民族的经济、文化关系,都具有借鉴作用。The images of deer,sheep,tigers and birds in Kizil frescos contained typical characteristics of nomadic animal motifs.The kneeling,apparel,mountains,roof design and some Nirvana scenes were closely related to nomadic customs and beliefs.The favor and selection of the nomadic art elements in Kizil frescos came from a long history of the intercourse with other nomads.Kuqa also had its own nomadic economic composition.Nomads spread and supported the Buddhist art and the nomadic art elements constituted the unique artistic style of Kuqa.A research in nomadic art elements in Kizil frescos provides references to exploring the art elements of Kuqa’s mode,investigating the value of Eurasian prairie nomadic culture,and reconstructing the historical and cultural relationship between Kuqa and nomads.

关 键 词：克孜尔石窟 游牧民族 艺术元素 

分 类 号：K85[历史地理—考古学及博物馆学]