喜剧电影中“小人物”的审美认同  

Aesthetic Identity of“Nobodies”in Comedy Films

作　　者：周营[1,2] 

机构地区：[1]吉林大学文学院 [2]吉林艺术学院戏剧影视学院,吉林长春130021

出　　处：《学术探索》2013年第5期120-124,共5页Academic Exploration

摘　　要：当前我国国产小成本喜剧电影在大众文化与大众传播的社会背景下异军突起,众多优秀的影片不断刷新着国产票房的新纪录。以小人物为表现对象的国产喜剧电影基于平民化意识在叙事结构、电影语言、文化内涵方面有着鲜明的审美特质。广大受众对于小人物的审美认同无疑是国产喜剧电影得以成功的基础,同时也是国产喜剧电影能够得以长足发展的源泉与动力。Nowadays under the social background of popular culture and mass media, domestic small - budget comedy films in China are rising unexpectedly as a new force, among which many excellent ones constantly set domestic box office records. Based on civilian awareness, these films focus on and project nobodies in life and show distinct aesthetic features in narrative structure, film language, and cultural connotation. Undoubtedly, the success of these domestic comedies lies with the audienceg aesthetic identity for those nobodies, which is also the source of and driving force for the tremendous development of domestic comedies.

关 键 词：国产喜剧电影 小人物 审美认同 

分 类 号：I135[文学—世界文学]