继承与拓新之间——论吴恭亨的楹联批评  

Between the Inheritance and the New Extension——On Wu Gongheng's Chinese Couplet Criticism

作　　者：张小华[1] 文师华[2] 

机构地区：[1]江西省社会科学院文化研究部,江西南昌330077 [2]南昌大学人文学院中国语言文学系,江西南昌330031

出　　处：《南昌大学学报（人文社会科学版）》2013年第2期149-155,共7页Journal of Nanchang University(Humanities and Social Sciences)

基　　金：国家社会科学基金项目(11BZW082);教育部人文社会科学研究项目(09YJA75.1045)"民国词史"

摘　　要：从历时性来看,吴恭亨的楹联批评著作《对联话》体现了对梁章钜楹联批评的一脉相承;从共时性来看,《对联话》是南社湘集文学观念在楹联批评上的体现,是楹联批评在新的历史环境中应对新的挑战的结果,是楹联批评在清末民初文化运动背景下愈益走向成熟的标志。《对联话》继承了梁章钜楹联批评用语、"雅正"之说、阳刚之美的美学选择、独立文体的观点,它可以看作一部楹联创作教程。吴恭亨反对白话楹联,提出了"思想说"。Wu Gongheng is not only an excellent poet,but also an excellent couplet critic.From a diachronic perspective,his Chinese couplet criticism Talking about the Chinese Couplet reflects Liang Zhangju in criticism of the coming down in one continuous line,following Liang Zhangju couplets after criticism and a peak in criticism.From a synchronic perspective,the set of literary concept in Hu＇nan couplet is the embodiment of the criticism,criticism in the new historical environment in response to the new challenges of the results;the couplet is the criticism in the late Qing Dynasty culture movement,more sign of maturity.Wu Gongheng succeeded Liang Zhangju in critical terms,＂Yazheng＂ say,masculine beauty aesthetic choice,and independence of stylistic perspective.In the face of the new literature of the era,Wu Gongheng opposed vernacular couplet.＂Words＂ can be seen as a poetic couplet creative course;in this couplet critical work,Wu Gongheng proposed the creation of ＂thought＂ couplets,and from the classical characters,all kinds of couplets in specific practices have made specific guidance.

关 键 词：吴恭亨 楹联批评 《对联话》 梁章钜 继承 拓新 

分 类 号：I207.999[文学—中国文学]