“怡园法帖”中的笔墨世界——兼论苏州园林书法的保护与传承  

The Painting and Calligraphy World of “Model Calligraphy-scripts in the Garden of Harnomy”:On the Preservation and Transmission of Calligraphy in Suzhou Classical Gardens

作　　者：邱文颖[1,2] 

机构地区：[1]苏州市职业大学教育与人文学院,江苏苏州215104 [2]苏州大学艺术学院,江苏苏州215123

出　　处：《苏州教育学院学报》2013年第2期25-29,共5页Journal of Suzhou College of Education

基　　金：苏州市哲社科研课题资助项目(12-C-24)

摘　　要：怡园的101方书条石被称为"怡园法帖",汇聚了历代传统书法名家名帖、如具有地域特色的吴门书家书迹和体现情操的《墨竹图》、东林贤士书札等。从中可以窥见当时园主及吴中文人娱情翰墨、诗文吟咏的书香生活及明清以来吴门藏帖刻帖兴盛的风尚。以书条石为代表的苏州园林书法兼具艺术与人文之美,应该从遗迹本身、资料的保存和传播、技术人才的传承等方面对其保护、发扬,才能使之成为可持续发展的资源,以为繁荣吴地传统文化艺术作出贡献。Known as ＂Model Calligraphy-scripts in the Garden of Harmony＂, the 101 pieces of inscribed stelea in the Garden of Harmony bring together the famous model scripts of traditional calligraphers in the past generations, the handwriting of Wu-school scholars with local features, and works reflecting noble sentiments such as Painting of Inked Bamboo and book collections by Donglin literati. From them, we can catch a glimpse not only of the elegant life of the past owner and the Wu-school literati who took delight in calligraphy, painting and poetry-chanting, but also of the prosperous fashion of collecting and inscribing model calligrphy-scripts in Wu school since the Ming and Qing Dynasties. The calligraphy in Suzhou classical gardens, best exampled by the inscribed stelea, unites the beauty of art and humanism, therefore deserving our protection and dissemination. Only by the preservation and promotion of the relic itself and its content as well as the cultivation of technical talents can we transform this art into sustainable resources and jointly make our contribution to the flourishment of the traditional Wu culture and arts.

关 键 词：怡园法帖 书条石 园林书法 

分 类 号：J292.1[艺术—美术]