《九家集注杜诗》“吴体”考  

The Research on "Wu Style" in "Du Fu's Poetry Variorum by Nine Authors"

作　　者：陈广忠[1] 

机构地区：[1]安徽大学文学院,安徽合肥230039

出　　处：《商丘师范学院学报》2013年第4期37-40,共4页Journal of Shangqiu Normal University

摘　　要：对于杜诗中"吴体"的内涵,一千多年来一直未有定谳。通过对《九家集注杜诗》中标注"吴体"的四首诗的格律进行分析,得出如下结论:"吴体诗"是一种平仄相对自由,即允许失粘、失对存在的律诗。它的平仄、用韵、粘对、拗救、对仗、字句等,与律诗相同。"吴体诗"与"拗体诗"无关。两者的区别是:"吴体诗"的失对、失粘,并不需要用任何平仄来进行补救。而"拗体诗"是有"拗"有"救"的律诗,它在律诗规范的范围之内。"吴体诗"来源于吴地"俚俗"之诗,杜甫推而广之。北宋晚期赵次公尚能准确分析,清代仇兆鳌、黄生已不能正确解读。For the past years, there have been disagreements on the connotation of ＂Wu Style＂ in Du Fu＇s poems. ＂Wu Style＂ is a metrical poetic style which is characterized with free tonal patterns, and permits noncohesion or noncouplet. Zhao Cigong, in the late period of Northern - Song Dynasty, could analyze it accurately. But in the Qing Dynasty, Qiu Zhaoao and Huang Sheng could hardly decode it. The paper analyzes thoroughly the tonal patterns of four of the metrical poems marked ＂ Wu Ti＂ in ＂Du Fu＇s Poetry Variorum by Nine Authors＂, and offers new insights to the decoding of ＂Wu Style＂.

关 键 词：杜甫 吴体 考释 赵次公 

分 类 号：I207.21[文学—中国文学]