西双版纳地区南传佛教跨界诵经风格的传统和变迁——以中缅打洛、小勐拉为例  

Traditions and Changes of the Transboundary Sutra Chanting in the Southern Buddhism in Xishuangbanna——taking Daluo and Mongla as a case study

作　　者：董宸[1] 

机构地区：[1]云南艺术学院音乐学院,云南昆明650000

出　　处：《音乐探索》2013年第2期68-74,共7页Explorations in Music

基　　金：2007年国家社科基金课题项目"中国南传佛教音乐的人类学研究";项目编号:07XMZ017

摘　　要：西双版纳地区是中国境内重要的南传佛教传播区域,与东南亚的缅甸、老挝为邻,在边贸经济、社会生活、宗教生活等领域一直交往密切,对当地的佛教文化产生了重要影响。云南省西双版纳勐海县打洛镇与缅甸小勐拉市毗邻,两地原住民属于血缘、地缘关系紧密,共同信仰南传佛教的同源掸傣民族,在保持传统宗教教义与仪轨的背景下,传统诵经风格受到了现代文化流动性的影响,呈现出丰富多元的风格。文章拟从音乐人类学的视角出发,以西双版纳地区南传佛教跨界诵经风格传统模式与新模式的同步发展为描述对象,对经文经腔系统中与"音乐方言"相关的内容进行探讨、呈现和比较。Xishuangbanna is an important region of the disseminating of Southern Buddhism in China; it neighbors Cambodia and Laos, associates closely with these countries in fields such as border trade, social and rehglous tile. Daluo Town of Menghai County in Xishuangbanna is in the neighborhood of the Cambodian city, Mongla. Aborigi- nes of both places relate tightly in blood and geography; they are all Shan-Dai people who share the religion of Southern Buddhism. Under the background of reserved traditional doctrine and rite, the style of their sutra chant- ing has been influenced by the fluidity of modern culture, and shows a character of rich diversity. With a music an- thropology perspective, this article investigates the ＂musical dialect＂ in the sutra chanting system, taking both traditional and innovated modes in sutra chanting of Southern Buddhism in Xishuangbanna as a studying object.

关 键 词：南传佛教 诵经风格 小勐拉 打洛 传统和变迁 

分 类 号：J608[艺术—音乐]