徽州木雕的意象造型语言现实性研究  

An Empirical Study of Image-based Modeling Language of Huizhou Woodcarving

作　　者：冯广东[1] 

机构地区：[1]安徽农业大学轻纺工程与艺术学院,安徽合肥230036

出　　处：《安徽农业大学学报（社会科学版）》2013年第2期138-140,共3页Journal of Anhui Agricultural University:SOC.SCI.

基　　金：安徽省哲学社会科学规划项目(AHSKF09-10D31:<徽州"三雕"的意象造型观研究>)

摘　　要：造型语言的形成基于其地域特点和历史文化的传承,现存的徽州古建筑群落体现着徽文化的延续和发展,砖雕、石雕和木雕作为构成徽派建筑风格样式的重要元素,使得建筑和艺术得以完美地结合。分析、研究徽州木雕意象造型观的成因,梳理、归纳其自成体系的特点,汲取其有益因素,结合传统园林美术课程教学内容,进而合理植入其中,拓展教学理念,为学生的审美体系的建立和设计表现等综合能力的提高提供更多的可能。The formation of design language is based on the geographical features and historical and cultural heritage. The existing Huizhou architectural community reflects the continuation and development of Huizhou culture. As important elements of Huizhou architecture style, brick, stone ond wood carvings perfectly combine architecture and arts. Analysis and research of the formation of imaged- based modeling concept of Huizhou woodcarving, combing and summarizing the characteristics of its independent system, drawing its beneficial factors, together with the teaching content of traditional landscape arts course, provide more possibility for the students＇ formation of aesthetic system, as well as the enhancement of their design skills.

关 键 词：徽州木雕 意象造型观 形式语言 审美体系 园林美术 

分 类 号：J305[艺术—美术]