新时期有关港台流行音乐及其对大陆流行音乐影响的争鸣  

Contending of Pop Music in Hong Kong and Taiwan with their Impact on the Mainland Pop in New Era

作　　者：项筱刚[1] 

机构地区：[1]中央音乐学院音乐学研究所

出　　处：《黄钟（武汉音乐学院学报）》2013年第2期14-19,共6页Huangzhong:Journal of Wuhan Conservatory of Music

基　　金：2010年度教育部人文社会科学研究青年基金项目<民国时期流行音乐研究>(项目批准号:10YJC760079)之阶段性成果

摘　　要：20世纪80年代以后的新时期,有关港台流行音乐及其对大陆流行音乐影响的争鸣主要在大陆专业音乐界一群"保守派学者"和"部分开明学者"之间展开。争鸣的焦点由最初的"存在的合理性"逐步转向"产生的必然性"和"如何发展我们自己的流行音乐事业"。在今天,无数事实证明:这是一次非常重要的、不可避免的、继往开来的争鸣,其规格之高、历时之长、规模之大、影响之远,都是当时的人们难以预料的。During the new era since 1980s,that the issues on pop music in Hong Kong and Taiwan with their impact on the Mainland pop contended in the mainland professional music field primarily between a group of ＂conservative scholars＂ and ＂a part of enlightened ones＂.The focus of the debates gradually shifted from the initial ＂the rationality of the existence of＂ to ＂inevitability of happening＂ and ＂how to develop our own pop music career＂.Numerous facts have proven at present that this had been a very important discussion,which inevitable,continue with the past and open up the future,which difficult unpredicted by the persons at then with its high specification,lasted so long,large-scale and affecting so far away.

关 键 词：新时期 港台流行音乐 大陆 民国流行音乐 争鸣 

分 类 号：J609.2[艺术—音乐]