媒介狂欢与理论沉潜——2012年度的文学理论热点  

Carnival in New Media and Accumulation of Theory ——Reviewing on the Literature Focal Issues in 2012

作　　者：葛红兵[1] 赵牧[2] 

机构地区：[1]上海大学文学院,上海200433 [2]许昌学院文学院,河南许昌461000

出　　处：《学术月刊》2013年第4期127-132,共6页Academic Monthly

摘　　要：2012年度的文坛并不缺少热点,但相比媒介的话题狂欢,学术性的讨论却鲜有争锋。这或者标志了一种理论的沉潜姿态,但也或者是遭遇了理论发展的瓶颈,而莫言的获得诺贝尔文学奖、韩寒的"代笔"风波,以及与此相关的电子媒介主导下的文学消费市场的变化,这三个观察点,可谓典型地表征了这一尴尬情势:诺奖颁给莫言而引发的讨论,不仅涉及文学的写作立场和承认机制,而且将一个如何面对莫言文学本体的问题摆在人们面前;韩寒的"代笔"风波,无论被证实或证伪,都不仅折射出文坛的看客心态及其中的政治纠葛,而且提示了一个在消费时代思考文学写作伦理的新维度;莫言获得诺奖引发的热议,韩寒"代笔"引发的围观,都会成为过眼的烟云,而跟它们密切相关的新媒介时代文学消费环境的变化,却也倒逼那些在传统的文化环境中形塑自我的文论话语做出相应的调整。The literature focal issues which were ardently discussed in all sorts of media had brought great influence on literary theories. This could mean a gathering posture of literary theory,or, for the time being, the literary theories encountered bottlenecks in the development. The three events , such as Mo Yan wining the Nobel Prize for Literature, Han＇s ghostwriter storm, and the changing literary consumer environment in new media, were characterized by such an embarrassing situation. Although these hot spots will soon be forgotten, the transformation of literary theory have to face.

关 键 词：诺奖事件 “代笔”风波 文论转型 

分 类 号：I206.7[文学—中国文学]