清代扬泰弹词形成与流传考述  

Research on the Forming and Spreading to the Storytelling Accompanied by Stringed Instruments in Yangzhou and Taizhou in Qing Dynasty

作　　者：钱成[1] 

机构地区：[1]泰州师专历史文化研究所,江苏泰州225300

出　　处：《盐城工学院学报（社会科学版）》2013年第1期63-67,共5页Journal of Yancheng Institute of Technology（Social Science Edition）

基　　金：江苏省社科基金项目(09ZWC008);泰州市历史文化研究所立项资助课题(WYS090204)

摘　　要：清代随着苏中扬泰商业经济的繁荣,平民气息特别浓郁。为适应市民文化生活需要,通俗文艺的发展更胜以往,评话、弹词等曲艺形式不断繁荣与兴盛。扬泰弹词是用苏中方言说唱的一种曲艺形式,是本地区流传的主要曲艺形式。但对于其形成原因与时间、传播途径、主要剧目与代表人物以及"扬泰弹词"的泰州地域元素等关键问题,学术界却长期未见具体考述。With the commercial economic prosperity of Yangzhou and Taizhou in Qing Dynasty, the plebeian culture was flourishing. In order to meet the cultural life need of the common people, the popular literature and art was developing faster than ever. The Chinese folk art forms such as the popular stories and the storytelling accompanied by stringed instruments were thriving and prosperous. Yangzhou -Taizhou storytelling accompanied by stringed instruments which was talking and singing in Suzhong dialect was the main folk art forms of the local area. But the key questions such as when and why did it come into being, how did it spread, what was the typical play, who was the representative personage and what was the regional element were not researched in academic circles over a long period of time.

关 键 词：扬泰地区 弹词 形成与流传 考述 

分 类 号：I207.39[文学—中国文学]