中国古典戏曲色彩传达中的情感建构  

Emotions Conveyed by Colors in Chinese Classic Operas

作　　者：杨蕾[1] 

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《河南科技大学学报（社会科学版）》2013年第2期57-60,共4页Journal of Henan University of Science & Technology(Social science)

基　　金：教育部人文社会科学重点研究基地重大项目(11JJD750022)

摘　　要：戏曲舞台中的色彩符号蕴含着浓厚的情感内涵,是不同时代、不同地域人们所共有情感指向的高度凝结与外化。它以视觉传达的形式将生活情感与艺术世界巧妙糅合并展现在观众面前,在演员与观众间的情感互动中完成现实与虚幻、情感与理想之间的审美认同及心理共鸣。Colors on the opera stages contain profound emotional meanings, and they are high condensations and exterior displacement of all the human common emotions in different eras and areas. In the form of visual medias, colors combine emotions with art displayed before the audience, and achieve an aesthetic identity and psychological concord between the performers and the audience by interaction between reality and fantasy, between emotions and ideals.

关 键 词：中国戏曲 色彩表现 艺术情感 

分 类 号：J815[艺术—戏剧戏曲]