浅议形态仿生在我国工艺美术中的发展  

Bionic in the Development of the Arts and Crafts in China

作　　者：李红[1] 

机构地区：[1]宿州学院美术学院,安徽宿州234000

出　　处：《怀化学院学报》2013年第3期85-87,共3页Journal of Huaihua University

摘　　要：仿生的概念由来已久,从远古到现代,人类一直运用自己的智慧模拟和借鉴自然界解决人类生活中各种问题。回顾和研究仿生在我国工艺美术历史上的思想与行为的历程,分析其应用的范围,可以更为深刻的认识和理解仿生的概念、内涵,为创新设计提供了参考和依据。Bionic has been a concept for a long time from ancient to modern times. Humans have been using their own wisdom in simulating and learning from nature to solve a variety of problems in human lfee. By reviewing and researching the course of the bionic thinking and behavior in the history of Chinese arts and crafts analyzing the scope ot its application, you can understand more deeply the concept and connntation of bionic, which provides reference and basis for innovative design.

关 键 词：工艺美术 形态 仿生 

分 类 号：J52[艺术—艺术设计]