佛教造像中香盖图像的起源与演变  

The Origination and Revolution of Pictures on Marquees in Buddhism Sculptures

作　　者：张蓓蓓[1] 

机构地区：[1]上海师范大学哲学学院,上海200234

出　　处：《南通大学学报（社会科学版）》2013年第2期82-86,共5页Journal of Nantong University:Social Sciences Edition

摘　　要：佛教造像中的香盖是一种重要却被长久忽视的云纹图像,考察香盖的来历、宗教内涵与历代演变,可知有香盖图像的佛教造像系斋供仪式道场所专用。香盖的确认,一可为厘清唐五代以来佛教造像的宗教属性提供依据,二可丰富传统佛教美术的研究内容,填补美术学和宗教学的相关空白。Marquees in Buddhism sculptures are of great significance in Buddhism and have long been kept shadow.Based on the origination,religious connotations and historical revolutions,we have found that Buddhism sculptures with marquees were used in places of consecration.The confirmation of marquees can provide evidences for the religious features of Buddhism sculptures,enrich the content of traditional Buddhism arts,and fill the gaps of fine arts and religious studies.

关 键 词：斋供仪式 云纹 香盖 

分 类 号：B948[哲学宗教—宗教学]