宋代两首悼亡词的文化意蕴比较——苏轼《江城子》与贺铸《鹧鸪天》探微  

A Comparison of Cultural Implications between the Two Song Mourning Poems——Probe into Jiangchengzi by Su Shi and Zhegutian by He Zhu

作　　者：张勋宗[1] 张起[1] 

机构地区：[1]成都大学文学与新闻学院,四川成都610106

出　　处：《成都大学学报（社会科学版）》2013年第2期92-96,共5页Journal of Chengdu University (Social Sciences)

摘　　要：苏轼的《江城子》和贺铸的《鹧鸪天》两首词,在中国古代文学史上被誉为"词坛悼亡双绝"。它们在思想感情和艺术成就方面都结合得天衣无缝,更难能可贵的是在宋代诸多文士以戏谑的文笔乐此不疲地描述怨妇、弃妇和青楼女子时,作者却饱含深情、细腻地追忆了他们过往家庭的温馨生活场景,深情地表达了他们不因岁月流逝而消减对亡妻浓浓的相思情愫。可以说这两首词体现了人性的深度,是最具有悲剧情怀的悼亡词。Su Shi＇s Jiangchengzi and He Zhu＇s Zhegutian are known as ＂the best two mourning poems＂ in the history of classical Chinese literature. Both are successful in perfect combination of their thoughts and feelings and artistic achievements, and more commendable, when many men of letters were never bored with satirizing dis- satisfied housewives, deserted wives and prostitutes in the Song Dynasty, Su Shi and He Zhu give us a delicate memory of the scenes of their warm family life in the past, and express their deep love of their late wives, which remain the same with the time passing by. It can be said that the two poems reflect the depth of human nature, are the memorial speech full of most tragic feelings.

关 键 词：两宋词 悼亡词 《江城子》 《鹧鸪天》 

分 类 号：I206.2[文学—中国文学]