唐代文人禅诗禅意论:孤静·空灵·冲淡  

The Interpretation of the Buddhist Poetry in Tang Dynasty: Solitary,Emptiness,Dilution

作　　者：张翠[1] 

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《浙江树人大学学报》2013年第2期72-76,共5页Journal of Zhejiang Shuren University

摘　　要：唐时禅宗一派的空灵流溢的审美观感,对唐诗内容、形式以及诗人审美心理的嬗变等方面都产生了深远影响。诗与禅的联姻成就了中国古典诗歌史上蔚为大观的诗歌体制——禅诗,唐代文人更是融合诗与禅的精思妙路,另辟蹊径地耕耘出文人禅诗的广阔天地。孤静、空灵、冲淡是唐代文人禅诗总的美学风范,通过对这组审美范畴的深化解读,无论对诗歌美之内质的求索,还是对禅宗悟之肌理的剖析,抑或是对唐一代文人禅诗之禅意的探掘都大有裨益。The aesthetic sense of emptiness and emanation of the Zen Buddhism in Tang dynasty had profound impact on the poetry content, form as well as poets＇ aesthetic psychological evolution. The marriage of poetry and Zen achieved splendid poetry system in the history of classical Chinese poetry--the Buddhist poem. Tang Scholars integrated the wonderful thinking of poetry and Zen, and opened up and cultivated a new vast world of Buddhist poems. Solitary, emptiness, and dilution are Zen poems＇ aesthetic style in the Tang dynasty. Through a deepening interpretation of the group of aesthetic areas, it has significant benefits not only in the explorations of the poetic beauty but also in the enlightenment of the Zen Buddhism and Buddhist Poems of the Tang Dynasty.

关 键 词：唐代 文人禅诗 孤静 空灵 冲淡 

分 类 号：I207.22[文学—中国文学]