潮剧对潮汕地区民间音乐的吸收与创造——以民歌、弦诗乐为例  

Chao Opera's Absorption and Creation of Chaoshan Folk Music——with Folk Songs and String Poetic Music as Examples

作　　者：董学民[1] 

机构地区：[1]汕头大学长江艺术与设计学院,广东汕头515063

出　　处：《汕头大学学报（人文社会科学版）》2013年第2期30-34,94,共5页Journal of Shantou University(Humanities and Social Sciences Edition)

基　　金：广东省哲学社会科学"十一五"规划2010年度青年项目"潮剧音乐对潮汕民间音乐的吸收与应用"(GD10YYS02)

摘　　要：潮汕地区民间音乐极为丰富。潮剧在历史发展中,不仅吸收了大量的民间音乐,还体现出某些艺术创造性。这对当代的潮剧音乐创作也有重要启示。潮剧艺人的吸收、创造建立在他们对民间音乐的熟悉上,可以说对民间音乐的掌握已经达到"饱和"的艺术状态。潮剧艺人对潮汕民间音乐了然于心,才能够活学活用,根据剧情的需要,充分发挥主观创造性,从而促进潮剧艺术的发展。The Chaoshan area is extremely rich in folk music.In its development the Chao Opera has not only absorbed much folk music,it also shows some creativity in its absorption.This is an important inspiration for the creation of contemporary Chao Opera.The absorption and creation of the Chao Opera artists are based on their familiarity with folk music.Their mastery of folk music can be said to have reached the artistic state of 'saturation'.With a deep understanding of Chaoshan folk music,the Chao Opera artists can use it creatively and can give gull scope to their subjective creativity to meet the need of the plot,so as to promote the development of the art of Chao Opera.

关 键 词：潮剧音乐 潮汕地区 民歌 弦诗乐 

分 类 号：J605[艺术—音乐]