广西新时期戏剧文学创作中的文化身份意识  

On the Consciousness of Cultural Identity in Guangxi's Dramatic Creation of New Era

作　　者：胡国威[1] 

机构地区：[1]广西师范学院文学院,广西南宁530023

出　　处：《广西师范学院学报（哲学社会科学版）》2013年第2期65-67,79,共4页Journal of Guangxi Teachers Education University：Philosophy and Social Sciences Edition

摘　　要：新时期的广西戏剧文学具有鲜明的文化身份意识,彰显广西以壮族为主的各少数民族文化身份的同时也在努力寻求与外来文化和主流文化的融合。这种在全球化背景下产生的文化身份意识赋予了广西戏剧文学新的内涵和特质,促进了广西戏剧文学的发展。Guangxi＇s dramatic literature of the new era has showed a distinct consciousness of cultural identity, which not only shows Guangxi＇s ethnic cultural identity （Zhuang People is the largest ethnic group in China）, but also displays a tendency to seek the integration with the foreign culture and mainstream culture. Appearing under the background of the globalization, the consciousness of cultural identity endows new meanings and characteristics to Guangxi＇s dramatic literature and accelerates its development.

关 键 词：广西 戏剧文学 文化身份意识 

分 类 号：I236[文学—中国文学]