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出 处:《西安财经学院学报》2013年第3期101-106,共6页Journal of Xi’an University of Finance & Economics
摘 要:春秋时期各国的葬俗文化特征相异,三晋主要是土坑竖穴墓,仰身直肢葬,墓主头北向,随葬鬲、盆、罐等陶器;秦国主要是洞室墓,屈肢葬,墓主头西向,随葬蒜头壶、茧形壶等。战国时期三晋的葬俗文化特征开始与秦趋同,表现为中原战国墓中洞室墓、屈肢葬、头西向、秦式陶礼器组合等秦文化元素增加。战国晚期,随秦灭六国战争的推进,各地不同程度地接受了秦文化,文化面貌呈现趋同的趋势。秦对三晋战争产生的文化影响,体现了空间上的扩展性、时间上的延续性和发展方向上的强制性;同时,秦文化也受到东方文化的影响而产生文化融合。Different countries had different burial customs in China in the Spring and Autumn Period. The burial customs of Jin is extended supine burial, head to north, funerary objects are Li(an ancient cooking tripod with hollow legs),pot and so on. Qin's is earth-pit tomb, flexed burial,head to west, vase shaped of garlic, pottery silkwormshaped jar and so on. There is a convergence between Qin and Jin in terms of burial custom in Warring States Period. It represents that the tomb of the Warring States in Zhong Yuan had more Qin burial customs and cultural characteristics such as earth-pit tomb, flexed burial, head to west, Qin style sacrificial vessel combination and so on. At the end of Warring States, with the battlefront having moved forward, most parts of China were assimilated with Qin culture more or less. The impact of the Qin-Jin War on China funeral culture reflects expansion, continuity and a large influence. During this same period, Qin culture was also affected by the East culture and then they became fusion.
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