“艳”范畴与中国美学  

On the Category of Yan and Chinese Aesthetics

作　　者：蒋继华[1] 

机构地区：[1]盐城工学院人文学院,江苏盐城224051

出　　处：《衡阳师范学院学报》2013年第2期43-46,共4页Journal of Hengyang Normal University

基　　金：江苏省教育厅高校哲学社会科学研究基金资助项目(2012SJB750012)成果

摘　　要："艳"在中国古典美学体系中具有重要的理论地位和诗学价值,某种程度上体现了人们的审美观念、审美理想、审美意识的演进和转化的历史。"艳"的内涵极为丰富,既作为音乐概念使用,也指涉男女情事,还扩展到文学批评领域,作为一种艺术风格和美学范畴存在,彰显了中国古典美学的某种特质。"艳"具有绮靡性、眩惑性,在以伦理纲常为主的中国古代社会具有非同寻常的价值。当然,对"艳"的男女情爱成分应辩证看待。Yan has a vital status and value in the Chinese classical esthetics system, to some extent, it reflects the historical e- volution of people＇s aesthetic concept, aesthetic ideal and aesthetic consciousness. Yan＇s connotation is very rich, which includes the music concept, desire and the field of literary criticism. It reveals some characteristics of Chinese classical aesthetics as a style of art and aesthetics. Yan possesses ornate characteristic and dazzle, with vital value in Chinese ancient society from ethics. Of course, we should treat dialectically desire of Yan.

关 键 词：“艳” 中国美学 世俗性 

分 类 号：D83-0[政治法律—政治学]