音乐素材:自律与他律的辩证法——阿多诺音乐哲学思想略论  

The Dialectics between Autonomy and Heteronomy in Musical Material——Theodor Adorno's Philosophical Views on Music

作　　者：唐应龙[1] 

机构地区：[1]云南大学艺术与设计学院,云南昆明650091

出　　处：《贵州大学学报（艺术版）》2013年第1期90-93,共4页Journal of Guizhou University Art Edition

摘　　要：音乐从远古就一直有着明确的社会目的,发挥出重要的政治作用,随着近代民主的兴起,音乐也开始追求自主性,自律与他律成为人们理解音乐的分水岭。阿多诺研究发现,音乐的音响素材就是历史的积淀,作曲家自由地表达内心情感也是一种自律,现代新音乐表现出自律与他律的辩证法。Since the ancient time, music has been playing an important political With the emergence of modem democracy, music has been in pursuit of autonomy as autonomy and heteronomy have become the dividing crests for people to appreciate music. According to Adorno＇s research, it was found that acoustic materials were historic accumulations, the free expression of composers＇ inner world was also an autonomy and the new modem music displayed the dialectics between autonomy and heteronomy.

关 键 词：政治 形式 矛盾 

分 类 号：J607[艺术—音乐]