系统科学方法视域下的钢琴演奏理论  

Pianistic Theory under Horizon of Systematic and Scientific Methodology

作　　者：王海波[1] 

机构地区：[1]北京师范大学艺术与传媒学院,北京100088

出　　处：《山东师范大学学报（人文社会科学版）》2013年第2期154-160,共7页Journal of Shandong Normal University(Humanities and Social Sciences)

摘　　要：运用跨领域跨学科的新视域,重新探究钢琴演奏理论和钢琴教学理论,成为当前值得重视的新领域。在系统科学方法视域下研究钢琴演奏理论,即在厘清传统的钢琴演奏与教学中所存在问题的基础上,将系统科学方法运用于钢琴演奏理论研究,以此改进沿袭的思维模式和传统理念,使分析问题的角度由单一性到多样性、由静态的到动态的、由自主的到相互作用的等等,从而达到一系列认识的根本改变。系统科学方法视域下的钢琴演奏理论研究,对于促进钢琴演奏与教学的良性发展具有实际的应用价值。The art of piano playing is a special and specific discipline, its development and evolution, as well as the methods of theoretical research have much connection with the basis of general scientific methods. This paper mainly explains that research ideas with the employment of the classic scientific methods explain and re- veal the certainty and feasibility of piano - playing methodological characteristics. In practical application, practice of traditional piano art is often involved in the universal rules of the playing and teaching aspects. Up- on further consideration of the issues, there are a variety of uncertainties with much more particularity, which makes the exploration of the theoretical methods an inevitable trend, in piano - playing and teaching research. Bases upon the theory of the essence in the scientific methodology, such as the approach to system, the meth- od of control, and the means of information, This paper provides a fresh perspective and dynamic path of thought for the benign development of piano - playing art with classical scientific methods and theories in prac- tice by making use of the application characteristics of classical scientific methods, and the natural characteris- tics of interdisciplinary boundaries.

关 键 词：钢琴演奏 科学方法 理论借鉴 结构渗透 

分 类 号：J624.1[艺术—音乐]