论卞之琳诗歌的语言艺术  

A Study of Linguistic Art of Bian Zhi-lin's Poetry

作　　者：夏莹[1] 

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《华中师范大学学报（人文社会科学版）》2013年第2期79-86,共8页Journal of Central China Normal University:Humanities and Social Sciences

基　　金：教育部211工程重点学科建设项目"中华文化繁荣发展中的汉语学科创新"子项目"现代汉语与现代诗歌研究"(YYZX0902)

摘　　要：词汇、句法和修辞能反映出语言背后潜藏的思维方式和诗学观念。本文从卞之琳诗作的词汇、句法和修辞三方面考察了卞之琳诗歌在语言艺术上的创新和贡献。卞之琳用日常化语汇、科学词汇、文言词汇入诗,嵌用具象词和抽象词,更新了语言表达程式,为现代诗歌带来新意象、新内涵与新观念。句法上,倒装、复辞和插入句的使用,既有效地结构了诗句,又唤起了新的想象逻辑和诗思。言语反讽、情境反讽和总体反讽的结合,赋予了诗歌显著的智性化特征。From the perspective of the vocabulary, syntax and rhetoric used in his poet ry, this paper expounds Bian Zhilin＇s innovation and contribution to linguistic ari. By means of the words of spoken language, science and classical Chinese and embedded with concrete and abstract words in the poetry, Bian Zhilin renovated the mode of expres sion, bringing brand new image, new connotation and new conception to modern Chinese poetry. From the angle of syntax, the inverted sentences, complex sentences and insert sentences used in the poetry efficiently wove the verses and evoked new logic of imagine and thought. Combining with the use of verbal irony, situational irony and general iron y, Bian Zhilin generated significant feature of wisdom in his poetry.

关 键 词：卞之琳诗歌 词汇 句法 反讽修辞 

分 类 号：I207.25[文学—中国文学]