当代民歌歌词的美学思考  

The aesthetical thought about contemporary Folk Song

作　　者：万志全[1] 万丽婷[2] 

机构地区：[1]南昌工程学院人文与艺术学院,江西南昌330099 [2]中国地质大学长城学院地球科学与资源系,河北保定071000

出　　处：《科学与财富》2013年第3期176-178,共3页Sciences & Wealth

基　　金：基金项目：江西省艺术科学规划项目《当代民歌歌词的美学研究》（YG2010020）.

摘　　要：当前的民歌歌词研究主要从其历史、创作现状与欣赏等方面展开。若从美学视域来看，对其“美学来源、美学原则、审美特质、审美欣赏’’之深入挖掘势在必行。当代民歌歌词除了具备“狂欢、俗趣、贴切、比兴、婉约、流畅、粗犷、风趣”等传统美学特质以外，又富含‘‘视野更开阔、情感更炽热、手法多融合、韵味更充足、修辞更丰富’＇等新质，而其不足则呈现为“过于崇高、喜悦过甚、浮躁轻俗、虚情矫饰、套路陈旧’，等方面。The research about the current folk song carried out from history, writing situation. But when we research from aesthetical perspective, the research must spread to aesthetic source, aesthetic principles, aesthetic qualities and aesthetic appreciation. The contemporary folk songs have not only the aesthetic qualities of Carnival, popular interest, appropriate, Xing, graceful, smooth, rough, funny, but also the new properties of broader perspective, more intense emotions, more inte- grated approach, more abundant charm and more abundant rhetoric. Its deficiency were appeared to too high, too much joy, popular impetuous light, false pretense and old routines.

关 键 词：当代民歌歌词 美学思考 研究现状 主要视点 美学新貌 美学前景 

分 类 号：J614.91[艺术—音乐]