《痕迹》和《爱药》的宗教杂糅特征  

On Hybridized Religious Technique in Louise Erdrich’s Tracks and Love Medicine

作　　者：陈靓[1] 

机构地区：[1]复旦大学外文学院英文系

出　　处：《外国文学研究》2013年第2期108-115,共8页Foreign Literature Studies

基　　金：国家社科项目"美国印第安作家路易斯.厄德里克作品研究"【项目批号:11CWW024】的阶段性成果

摘　　要：路易斯·厄德里克将西方的基督教元素与美国本土宗教文化结合在小说中,在宗教结构上确定了杂糅性的文学身份。文本中宗教层面的杂糅技巧立足于本土传统,它不仅是对视角和语言的简单混杂,也在结构上创建了一个杂糅的表述方式,在创建自身意义的同时,宗教层面的杂糅性形式也鼓励对白人宗教霸权统治的抵抗与颠覆。在这种方式下,厄德里克的小说营造了一个新颖的宗教话语,进而创建了具有主体自足性的当代美国本土文本。然而,厄德里克的方法不仅限于复兴层面。对殖民意识和《圣经》式文本的颠覆以及将西方天主教与传统印第安神话的杂糅性应用是厄德里克宗教杂糅模式的主要特征。与印第安人构建民俗宗教的文化努力相似,厄德里克作品中的文学杂糅机制强化了印第安人之间的情感和精神联系。In Louise Erdrich, the Christian religious features are combined with native oral tradition to form a hybridized religious mechanism, which has successfully defined a hybridized literary identity in terms of religious structure. The hybridized religious technique is rooted in Native American tradition. It is not only a simple mixture of various perspectives and languages, but also has constructed a hybridized representational model, which helps to create a vivid native religion with its own subjectivity. It is resistant in essence and refuses to be assimilated by white American ideology. In the process of creating the literary significance of its own, the hybridized religious form also encourages resistance to and subversion of hegemonic cultural control of the white Americans. Yet, Louise Erdrich supersedes the resurrection of traditional Native American tribal spirit by interweaving Christianity into her reconstructive discourse, which, together with the subversion of the hegemonic religious structure laid by the Bible, is characteristic of her religious hybridization techniques. Similar to the cultural efforts of religious recreation, the religious hybridization constructed in Louise Erdrich＇s literary world reinforces the emotional and spiritual connections among the Native Americans in contemporary times.

关 键 词：《痕迹》 《爱药》 宗教杂糅 多重视角 

分 类 号：I712.074[文学—其他各国文学]