在历史镜像与文字记忆之间——由《随想录》而及当代文学写作诸问题  

Between Historical Mirror and Memorization of Words —— Problems of Modern Chinese Literature written by Sui Xiang Lu

作　　者：张晓东[1] 

机构地区：[1]阜阳师范学院文学院,安徽阜阳236041

出　　处：《学术界》2013年第4期134-143,288,共10页Academics

基　　金：教育部人文社科2012年规划基金项目:"现代文学‘情色’书写研究"(12YJA751082)的阶段性成果

摘　　要：不管作家写作的外在形态是虚拟、想象、抑或写实,其实都是作家借助文字书写下的对历史镜像的个人记忆。作为身跨现当代文学的标志性人物,巴金写作的意义从不只局限于文学自身的范畴,他更适于用来做类型、典型的研究。本文以《随想录》为原点,但不拘泥于封闭的点校解读,而是发散开来,牵衍出一些在当代写作中具有同质同构的问题。本文表达了如下判断:因为"无诚、乏思、少智",所以当代文学缺失了经典的写实主义;因为"媚俗、依附"导致了当代作家主体世界的致命缺陷以及当代文学方向的迷失。而这些问题并不是各自独立,恰恰是层层递进的关系,当然值得关注。For the writers,although the writing is fictitious,imaginary or realistic,the essence of writing is historical mirror of their personal memories. Countless personal memories constitute our cognition of the history and life,and they present the countless vivid spirit world too. As a symbol character who crossed the modern and contemporary,BaJin’writing is not only in the literature itself,but in the typical research. This paper discusses the homogeneous isomorphism problems of the writing in the Modern Chinese Literature based on the Sui Xiang Lu. This paper involves the following questions: What kind of realism did contemporary literature present? How did the writer build his own subject world? What kind of writing direction is the goal of contemporary literature? These problems are not isolated,but the relationship of them should be interrelated,and should be concerned.

关 键 词：镜像 记忆 写实 档案 方向 

分 类 号：I206.7[文学—中国文学]