中国舞蹈中龙凤形象的审美意蕴——以2012春晚舞蹈《龙凤呈祥》为例  

The Aesthetic Implication of Dragon and Phoenix in Traditional Chinese Dancing

作　　者：何际峰[1] 周亮[1] 

机构地区：[1]南通大学艺术学院,南通226007

出　　处：《北京舞蹈学院学报》2013年第2期33-36,共4页Journal of Beijing Dance Academy

基　　金：教育部人文社会科学研究项目"中国装饰艺术符号传承研究"(09YJA760021)研究成果之一

摘　　要：龙、凤的艺术形象是中华民族文化的典型符号,具有神秘而浓郁的东方文化色彩。它们的形象经常出现在我国的戏曲、建筑、绘画、服饰、舞蹈等多种艺术门类中,或威严肃穆、或俏皮可爱、或高贵典雅,姿态变化多端,形象丰富多样,千百年来受到了人们的普遍喜爱。2012年恰逢龙年,中央电视台春节联欢晚会特别创作了大型主题舞蹈《龙凤呈祥》。作为整个晚会的点题之作,高度凝炼的动作语言散发着古朴而新潮的东方神韵,处处体现着龙凤文化的中和典雅之美、空灵虚幻之美、气韵生动之美。The artistic image of Dragon and Phoenix has become the symbol of Chinese culture, which is mysterious and full of eastern charm. They appear frequently in Chinese drama, architecture, paintings, clothing as well as dancing. Dignified, cute, or elegant could they be. With various and flexible images, they have been popular for thousands of years. 2012 is the year of Dragon, the Spring Festival Gala held by the CCTV created the theme dancing named ＂LongFengChengXiang＂ in particular. As the main theme of the whole gala, it reflected the elegance of the Dragon-Phoenix image as well as its beauty of vividness.

关 键 词：舞蹈 龙凤呈祥 审美意蕴 

分 类 号：J701[艺术—舞蹈]