现代舞:“不美”中的美感  

Modern Dance: Beauty in “Ugliness"

作　　者：苗芳菲[1] 

机构地区：[1]北京舞蹈学院研究生部,北京100081

出　　处：《北京舞蹈学院学报》2013年第2期99-102,共4页Journal of Beijing Dance Academy

摘　　要：本文探讨了现代舞与舞蹈美感的关系,并由此引出对于现代舞的再认识问题。笔者认为,现代舞不同于中国传统舞蹈的审美方式,容易导致观众在欣赏过程中的误读。现代舞的美感更多地来源于动作以及动作与其所在空间的关系,来源于不同动作、舞句的铺排所形成的整体审美意象,这种意象自身带来了现代舞独特的美感。而现代舞的这些审美原则不仅仅具有时代特性,更具有地域特性与文化特性。This article concerns with the relationship between modern dance and the aesthetic perception of dance. According to the writer, it is the aesthetic approach of modern dance, which is different from the one of traditional Chinese dance that results in the misunderstanding among the audiences. The beauty of modern dance stemmed from pure movements, the conversation between movements and the space, and also from the aesthetic image created by effective connection of the movements, and all these give birth to the unique beauty of modern dance works. What is more, these principles not only contain the identity of era, but also the identity of local and culture. Only through both angles of time and space to recognize and study modern dance, can we perceive a better understanding of ourselves and conduct a stronger exploration of the future of Chinese dance.

关 键 词：现代舞 舞蹈美感 动作 意象 

分 类 号：J732.6[艺术—舞蹈]