从“流派”角度看中国芭蕾  

Ballet in China: From the Perspective of School

作　　者：王蓉[1] 

机构地区：[1]北京舞蹈学院研究生部,北京100081

出　　处：《北京舞蹈学院学报》2013年第2期103-106,共4页Journal of Beijing Dance Academy

摘　　要：芭蕾流派可以按思想倾向及艺术观点进行划分,它不是建设出来的,而是自然形成的。本文旨在通过对芭蕾流派、俄罗斯芭蕾流派的形成进行梳理,将中国芭蕾的来龙去脉从"流派"角度加以阐述。俄罗斯芭蕾流派是中国芭蕾的奠基石,但中国芭蕾学习的是手段方式。中国人的思想倾向相异于他国决定了中国芭蕾形成流派只是时间问题。流派的形成与划分仅仅是研究、发展芭蕾的手段,最终着眼点仍要回到芭蕾本身。Through analyzing ballet schools and Russian ballet school, this thesis attempts to clarify the context of Chinese ballet. The division of ballet schools can be based on different intellectual tendencies as well as different art views. Ballet schools are natural to be born but not intended to build. Russian ballet is the cornerstone of Chinese ballet, but what Chinese ballet learns is not the intellectual tendency, which makes Russian ballet a school but only the way to dance. Different intellectual tendency will make Chinese ballet a school someday. However, the formation and division of ballet schools is just a means to research and develop ballet, the most important thing is still ballet itself.

关 键 词：芭蕾流派 俄罗斯芭蕾流派 中国芭蕾 

分 类 号：J722.5[艺术—舞蹈]