从现代悲剧三重世界看尤金·奥尼尔对悲剧艺术的创新  

Eugene O'Neill's Innovations in Tragedy:From the Perspective of Triple World of Modern Tragedy

作　　者：刘亮[1] 

机构地区：[1]安徽交通职业技术学院文理科学系,安徽合肥230051

出　　处：《科教文汇》2013年第11期57-59,共3页Journal of Science and Education

基　　金：安徽省级优秀青年人才基金项目(2012SQRW249)

摘　　要：本文采用任生名《西方现代悲剧论稿》中提出的阐释悲剧的新范式,探讨奥尼尔对于悲剧的创新。奥尼尔对于现代社会悲剧的创新在于他颠覆了传统悲剧的概念:悲剧的主人公从王子贵族演变成平常百姓;悲剧的起因从严肃的行为演变成日常琐事;悲剧的世界是"上帝已死"的世界。奥尼尔对于现代精神悲剧的创新在于对剧中人物内心世界的探索。在现代人本体悲剧这一层,奥尼尔用象征展示了现代人荒谬的处境。This thesis is based on Ren Shengming＇s new model explaining the nature of tragedy. One of the most prominent con- tributions O＇Neill has made to modem social tragedy is his use of common people as the protagonists of tragedy.Eugene O＇Neill＇s exploration of human psyche is with unprecedented scope and depth in his plays. Eugene O＇Neill contributes to modem onto- logical tragedy by revealing in his plays the absurd existence of human beings, pointing directly to anthropological ontology.

关 键 词：关键词尤金·奥尼尔 现代社会悲剧 现代精神悲剧 现代人本体悲剧 

分 类 号：J83[艺术—戏剧戏曲]