归去来兮:贾平凹的城乡游走与家园梦寻  

Homeland Bound: On Jia Pingwa's Wander between City and Countryside and Homeland Dream

作　　者：许心宏[1] 

机构地区：[1]安徽财经大学文传学院,安徽蚌埠230030

出　　处：《海南大学学报（人文社会科学版）》2013年第2期19-24,共6页Journal of Hainan University （Humanities & Social Sciences）

基　　金：教育部人文社会科学研究青年基金项目(11YJC751099)

摘　　要：20世纪90年代以降,贾平凹小说文本中的商周与西京成了视角互视性、文化裂变性的时空结构体。城乡凝视与游离间的"离乡—进城—返乡"书写,使文学的二元空间结构演绎成文化时间的结构并置。在城市与乡土的双向审视与批判中,从《废都》的"废城"到《秦腔》的"废乡","双废"表现的是"家园无何处"的审美现代性困境,内中体现了叙事者文化心理根植与调适、文化身份焦虑与认同、城乡情感与家园归依等问题。Since the 1990s, Shangzhou and Xijing in Jia Pingwa＇ s novels have become the structural integration of time and space which contains mutual perspective and cultural fission. The portrait of ＂leaving homeland - en- tering city - returning homeland＂ during the gaze and wander between the city and countryside makes the binary spatial structure of literature evolve into the structural juxtaposition of cultural time. With the observation and criticism of the city and countryside from two perspectives, the ＂deserted city＂ in Deserted City evolves into the ＂deserted countryside＂ in Qinqiang Opera. And these ＂two deserted＂ expose the predicament of ＂where is the homeland＂ with aesthetic modernity, which internally exhibits the plantation and adjustment of the narrator~ cul- tural psychology, the anxiety and recognition of his cultural identity, as well as his urban and rural emotion and homeland return and so on.

关 键 词：城市化 乡土情结 心理结构 文化身份 家园意识 

分 类 号：I206.7[文学—中国文学]