《中国新文学大系》与“五四”作家的文学定位  

The Studies of the Great Series of the Chinese New Literature and Literary Orientation of May Fourth Movement Writers

作　　者：蔡长青[1] 

机构地区：[1]合肥师范学院文学院,安徽合肥230601

出　　处：《合肥师范学院学报》2013年第2期73-77,共5页Journal of Hefei Normal University

基　　金：教育部人文社科青年项目"中国现代作家评价机制的生成及演变"(11YJC751004)阶段性研究成果

摘　　要：《中国新文学大系》是新文学权威与现代传媒共同运作的结果。它不仅是一部作品集,同时还具备了文学史的特征。《大系》在编选人员的组成、对作家作品的评价以及编选作品的数目三个方面都影响了"五四"作家的文学定位。由于《大系》的编选时间距离新文学的创作时间较近,同时编选者在编选作品和评价作家作品时很难剔除个人因素。因此,这种文学定位并非完全公正。随着时间的推移,《大系》对"五四"作家的文学定位将不断接受新的检验和挑战。The Studies of the Great Series of the Chinese New Literature is the joint work of new literature authority and modern media. It is not only a works collection, but also has features of literary history. The Great Series influences literary orientation of May Fourth Movement authors in the following three aspects： editorial staff; the evaluation of modern writers and their works; the number of works selected. Because compiling time of The Great Series was very close to the New Literature, the compilers found it very difficult to eliminate personal factors when they were compiling works and evaluating writers and works. With the time passing by, The Great Series will face more tests and challenges in terms of the literary orientation of May Fourth Movement authors.

关 键 词：《中国新文学大系》 “五四”作家 文学定位 

分 类 号：I206.6[文学—中国文学]