试论《醒世恒言》的道教情怀  

On the Taoist Concern of "Awaken the Common Saying"

作　　者：刘婧芳[1] 

机构地区：[1]西南大学文学院,重庆400715

出　　处：《贵阳学院学报（社会科学版）》2013年第2期88-91,共4页Journal of Guiyang University:Social Sciences

摘　　要：《醒世恒言》中涉及道教文化的篇目约占总篇目的 1/3,可见道教文化对整个作品的影响甚大。主要表现在对作品内容、艺术以及编者情感三个方面的指向性。就内容指向性来说,集中表现在道教神仙信仰、道士与道教理想几个方面;就艺术指向性而言,主要体现在意象、想象力和整体艺术风格三方面;就情感指向性来看,主要体现了编者冯梦龙的"情教观",并实现了个人精神的一种抚慰。＂ Awaken the Common Saying＂ has one third in its table of contents cover the Taoist culture, which shows the great impact of the Taoist culture on the whole work. This impact is mainly presented in the directivity of three elements ： content, art, and editor emotion. Content directivity concentrates the expression in the immortal belief, priests and Taoist ideal aspects ; artistic directivity is mainly reflected in the imagery, imagination, and the overall art style ; editor emotion mainly reveals the teaching concept of Feng Menglong who is the editor, achieving a personal spiritual soothing.

关 键 词：《醒世恒言》 道教文化 指向性 

分 类 号：I207.419[文学—中国文学]