试论民族学视野下的西域岩画与原始文化  

Rock Paintings and Primitive Culture in West China: Ethnographical Perspectives

作　　者：张付新[1] 张云[1] 

机构地区：[1]塔里木大学,新疆阿拉尔843300

出　　处：《贵州民族学院学报（哲学社会科学版）》2013年第2期52-56,共5页Journal of Guizhou University for Nationalities

基　　金：国家社科基金项目"非传统安全视域下新疆维汉民族和谐发展对策研究"[编号:10CZZ006];兵团社科规划项目"非传统安全视域下的心态安全与新疆和谐发展研究"[编号:09YB014]

摘　　要：在新疆,岩画不仅历史年代悠久,且保存完整,形象多种多样,既有射猎、放牧、战争、生殖崇拜等大型生产生活场面的刻画,又有动物、植物、手足、日月等具体形象的刻画,这些都为研究西域岩画文化提供了基础平台。这些形象并不具有完全相同的意义,而其中手形岩画和马岩画作为这些岩画形象的代表,在西域古代民族文化中有着重要意义。文章在这一历史文化现象的基础上试用民族学的理论来解释手形岩画和马岩画所隐含的原始文化意义。In Xinjiang rock paintings have a long history and are well preserved, covering such fields as hunting though arrow- shooting, herding, battles and human organ worship as well as such imageries as animals, plants, human limbs and the sun or the moon. It is argued that these imageries are not entirely the same and that hand -shaped and horse rock paintings are of considerable importance in the ancient minority culture of West China. Ethnographical perspectives are presented to account for the implications of primitive cul- ture.

关 键 词：西域岩画 手形岩画 马岩画 原始文化 

分 类 号：C951[社会学—民族学]