从宋人注宋诗的用典研究看宋诗的创作理论  

On the Annotation of Literary Quotation in Poem Annotions of Song Dynasty Wrote by Song Dynasty's Scholiasts

作　　者：何泽棠[1] 

机构地区：[1]华南农业大学人文学院,广东广州510642

出　　处：《暨南学报（哲学社会科学版）》2013年第3期104-110,163,共7页Jinan Journal(Philosophy and Social Sciences)

基　　金：教育部人文社会科学研究青年基金项目<宋人注宋诗研究>(批准号:09YJC751030)

摘　　要：宋人注宋诗的各个注本继承了李善的《文选注》重视征引典故出处的传统,在此基础上又发展了典故注释。首先是注重典故的字面与意义的契合,由契合程度的不同,分析用典之法。其次,总结了诗人的用典方法,并以此观照宋代诗人的创作理论:一是用字语、用句势、用事等直接承袭使用之法与"无一字无来处"的相互影响;一是借用、合用、展用、摘用、倒用、暗用、反用等变化生新使用方法与"夺胎换骨"的相互影响。In the poem annotions of Song Dynasty wrote by Song Dynasty's scholiasts,scholiasts inherited the tradition to quote the derivation of literary quotations from Li Shan.On the basis of this method,scholiasts developed the annotation of literary quotations in two aspects:Firstly,they summarized the usages of literary quotations which included the use of words、 syntax、 stories and the meaning of literary quotation.Secondly,the analysis of the literary quotation also influenced the compositional theoretics created by Jiang Xi Poem Genre each other.These poems annotations could validate the composing theoretics created by Jiang Xi Poem Genre which included 'Every word must have its provenance'、'Applying the old language forms in a new fashion'.

关 键 词：宋人注宋诗 用典方法 无一字无来处 夺胎换骨 

分 类 号：I207.2[文学—中国文学]