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作 者:辛玲[1]
出 处:《太原师范学院学报(社会科学版)》2013年第2期89-91,共3页Journal of Taiyuan Normal University:Social Science Edition
基 金:河北师范大学硕士研究生科研基金项目:<子夜的民间叙事结构>(201201009)
摘 要:很多研究者在进行现代文学研究的过程中,会将注意力集中到分析外国文学思潮所产生的影响上,于是,便忽视了中国现代文学的另一个源头———民间文学。对于茅盾的长篇小说《子夜》,以往的研究也主要是以社会剖析法对这部作品进行研究。但是,如果将研究目光重新回到文本,可以发现,在这部作品的阶级斗争线索外,还潜伏着另外一层来自民间文学传统的结构,这个潜藏在政治话语"外套"下的民间叙事结构,一方面可以看作是对于当时倡导的左翼"文学大众化"一种自觉的响应,另一方面则是将作品表面上的那种枯燥的意识形态因素弱化,扩大了作品的接受范围,增加了作品的活力。In the modern literature research,many researchers would focus their attention to the influence by foreign literature ideological trend,ignoring another Chinese modern literature source —— folk literature.As to Mao Dun's novel "Midnight",previous researches have been carried on mainly by social analysis method.However,if the focus is moved back to the text proper,it can be found that apart from the clue of class struggle,there is another traditional structure based on folk literature.The potential folk narration structure beneath the political discourse "coat" can be viewed on the one hand as a response to the leftist "literature in popular style",and on the other as reduction of the dull ideological factors,thus the receiving range is expanded and the vitality of the work increased.
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