迟子建小说中萨满文化的价值取向和审美意蕴  

The Aesthetic Implications and Value Orientations of Shaman Culture in Novels of Chi Zijian

作　　者：任金凤[1] 张文东[2] 

机构地区：[1]大庆师范学院文学院,黑龙江大庆163372 [2]东北师范大学文学院,吉林长春130110

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2013年第3期96-98,共3页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：国家社会科学基金项目:现当代东北文学与萨满文化研究(10Bzw080);黑龙江省哲社办项目:地域文化视域下东北女性文学研究(11C048)

摘　　要：迟子建是一位深受满-通古斯文化影响的作家,她的小说在面对死亡等悲剧题材时,能以神性的温暖进行富有永恒意味的审美超越。从她早期的《北极村童话》到《伪满洲国》、《白雪乌鸦》等历史题材作品,都有一种以超越的审美观来理解不同政治场中的人性的价值,尤其对经历历史悲剧的普通人,在最大程度上给予了关注与尊重。Chi Zijian is a writer influenced deeply by Manchu ＆ Tungusic culture from the respective of cultural anthropology. And it is just the reason why Chi Zijian could achieve aesthetic transcendence with characteristics of eternity and divine comfort when handling materials of tragedy such as death. For example, in Arctic Village＇s Fairy Tales, her earlier work, as well as other works based on historical themes such as Manchurian Government and Snow and Crow, She, with her aesthetic transcendence, expresses her understanding of the human nature of different people from different political backgrounds, especially the commoners in history. It shows the respect for these people＇s tragic experiences to the largest extent and demonstrates that Manchu ＆ Tungusic culture is, to some extent, the main value orientation of Chi Zijian＇s writing.

关 键 词：迟子建小说 满-通古斯文化 文化人类学 东北地区 

分 类 号：I207.4[文学—中国文学]