六朝送别诗“感物取象”探论  

On Based on the External Things to Choose Image of the Farewell Poem in the Six Dynasties

作　　者：叶当前[1] 

机构地区：[1]安庆师范学院文学院

出　　处：《北方论丛》2013年第3期21-25,共5页The Northern Forum

基　　金：国家社科基金项目"<诗品>;<文心雕龙>之比较研究"(编号:11BZW019);安徽省社科规划项目"嵇康文学研究"(编号:AHSKF09-10D61)阶段性成果

摘　　要：送别之际,与离别相关的景象容易触发主客的感情涟漪。感物取象、化物象为意象,在意象中浸润诗人的离愁别绪,是六朝送别诗意象生成的主要方式。六朝送别诗感物取象主要侧重于自然物象与社会物象,所取意象有着非常强的写实性。追溯感物取象方式广泛运用的原因,与六朝时期"感物吟志"的理论指导及咏物诗赋的彬彬之盛颇有关系。分析感物取象的发展趋势,六朝送别诗在观物取象的基础上不断向"目击道存"的审美模式发展。因为感物取象写作方式的局限,六朝送别诗只能作为唐代送别诗繁盛的前奏,默默为唐诗的兴盛做着铺垫。The separation of the catalyst is easy to cause the outbreak of the subject - object remuonsmp on larewcll,Based on the external things to choose image is the mainly means to generate imagery. It focused on the natural object and social image. The image had very strong realistic. The theory of the sense of expressing mind and the poetry to write things affected in this kind of habit. The farewell poems in six dynasties developed to observe and to witness on the basis of the aesthetic pattern. It paved the way for the Tang dynasty.

关 键 词：六朝 迭剐诗 感物取象 感物吟志 

分 类 号：I207.22[文学—中国文学]