印刷晚期的“终结”:德里达解构主义文学观反思  

The End of the Late Print Age:Rethinking of the Deconstructive Theory of Literature of Derrida

作　　者：陈静[1] 

机构地区：[1]上海交通大学人文艺术研究院

出　　处：《北方论丛》2013年第3期43-47,共5页The Northern Forum

摘　　要：德里达有关"文学"、"书"和线性模式的系列终结命题,在过去的近半个世纪中产生了重要影响,也在中国学界引起了巨大反响。他的解构主义文学观建立在对印刷晚期的本质主义文学观的批判基础之上,同时又敏锐地感受到了信息时代所带来的革命性变革的力量。德里达的解构主义文学观,对于当代中国文论依然有不可忽视的借鉴意义。In the past more than fifty years, Derrlda＇ s statements of the end of literature, ＂book＂ and linear model have a great impact on the western intellectual discourse as well as on the Chinese intellectual community. Derrida expanded his reconstruc- tive theory of literature in a series of works and critiqued the ontological idea of literature in the late age of print. At the same time, he clearly and sensitively predicted the revolutionary power of the information age.

关 键 词：德里达 文学本质观 信息时代 

分 类 号：I565.06[文学—其他各国文学]