西方文论关键词 虚构  

Fiction

作　　者：王轻鸿[1] 

机构地区：[1]杭州电子科技大学人文学院,浙江杭州310018

出　　处：《外国文学》2013年第3期83-92,共10页Foreign Literature

摘　　要：20世纪中期以来,虚构的意义发生了根本性的变化。虚构与现实不再截然对立,而是成为表述现实的一种方式,在史学、人类学、哲学、伦理学等非文学文本中泛化开来,对虚构的确认固然离不开文本自身的特点,更与接受主体的意向性有关,这种转型与信息时代的哲学变革有密切联系。本文在辨析源流的基础上,着重考察了虚构的意义在当前的文化语境中发生的转型,并说明这种转变是如何体现当下的诗学和文化逻辑的。Since the mid-20th century,there has been fundamental changes to the significance of fiction.These changes are closely related to the transformation of philosophy in the information age,for the identification of fiction is not only based on the proper text but also bound up with the intentionality of audience.Fiction thus is no longer sharply opposed to reality,but has become a way to convey reality,having been widely applied to non-fictions such as history,anthropology,philosophy and ethics.This article studies the transformation of the significance of fiction in contemporary cultural context and expounds how fiction manifests contemporary poetics and cultural logic.

关 键 词：虚构 现实 文学 非实在论 

分 类 号：G0[文化科学]