1920年代旧派都市言情小说对传统模式的变异  

Evolution of Traditional Patterns by Old Literatures’ City Romantic Novels in 1920s

作　　者：王进庄[1,2] 

机构地区：[1]复旦大学中文系,上海200433 [2]上海商学院文法学院,上海200235

出　　处：《湖南大学学报（社会科学版）》2013年第3期97-101,共5页Journal of Hunan University(Social Sciences)

基　　金：国家社科基金青年项目(12CZW069);教育部人文社会科学研究青年基金项目(12YJCZH197);中国博士后科学基金项目(20110490681)

摘　　要：1920年代旧派文人的都市言情小说对古代"士子和青楼妓女"和"才子佳人"两大言情模式既有沿袭又有变异:前者从晚清民初对都市恶性的审美体验中挣脱出来,对妓女产生人道主义同情,出现了和"才子佳人"言情传统合流的趋势;后者聚焦于真情难觅的"哀情"和在都市金钱主义和新思潮驱使下萌生的种种"怪情",写世俗、平庸的男女之情。In 1920s, Old literatures＇ romantic novels followed but changed two major patterns： ＂intel- lectual and prostitute＂ and ＂gentlemen and ladies＂： the former separated from aesthetic experience to cit- ies＇ malignant features in late Qing Dynasty and early Republic of China, showed humanitarian sympathy for prostitutes, and trended by the latter; the latter focused on the ＂sentimentality＂ to being hard to find the true love, and kinds of ＂strange emotions＂ generated in cities＇ money worship and driven by new thoughts, described mundane and commonplace love between men and women.

关 键 词：旧派文人 都市言情小说 士子和青楼妓女 才子佳人 

分 类 号：I207.4[文学—中国文学]