从娜拉和蘩漪看中西文学作品中女性话语权的异同  

The Similarities and Differences of Female Discourse Power in Chinese and Western Literary Works by Comparison of From Nora to Fan Yi

作　　者：何娟[1] 吴莎[1] 

机构地区：[1]东华理工大学外国语学院

出　　处：《特立学刊》2013年第2期50-53,共4页Teli Journal

基　　金：江西省高校人文社科项目“性别语言和话语权研究”(编号:YY0902)

摘　　要：《玩偶之家》的主人公娜拉和《雷雨》中的蘩漪有着相似的“玩偶”经历，对男性话语霸权都进行了不同程度的反抗。但在不同作家的笔下，两位女性展现出中西两种不同文化根源和社会背景下的个性差异，蘩漪的反抗性与觉醒度远不如娜拉来得深刻。蘩漪展现的是旧时代中国女性的坚强与懦弱交织的双重性格，娜拉则由充满幻想的家庭妇女成长为追求个性解放的勇士。The leading character Nora in the novel A Doll＇s House in the novel Thunderstorm, struggling against male discourse hegemo has＇similar experiences of a doll to Fan Yi ny to varying degrees. But the two different writers depicted the two quite different women due to different culture origins and social backgrounds. Fan Yi did worse than Nora in resistance and awareness. Fan Yi showed old Chinese women＇s dual character： being strong and weak at the same time, whereas, Nora was family women full of fantasy and then grew up to be a warrior in pursuit of personality liberation.

关 键 词：娜拉 蘩漪 话语权 父权制 女性主义 

分 类 号：I23[文学—中国文学]