多元话语及其理念语境中红色影片的“另类”塑形  

The "Alternative" Shaping of Revolutionary Subject Films in Context of Multiple Words and Ideas

作　　者：宋林生[1] 

机构地区：[1]陕西师范大学国际汉学院,陕西西安710062

出　　处：《西北大学学报（哲学社会科学版）》2013年第3期150-155,共6页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：陕西省社科基金项目(10K120)

摘　　要：在时下多元话语及其理念共存的语境中,即便是一些红色题材或以其为背景的电影创作和表现也发生了似乎"另类"的偏移和转换,本文对其表现特征和实质进行了探讨,并阐明了造成这种偏移和转换的多重原因。首先,在艺术观念的去蔽过程中体现出一种求真的诉求;其次,当下具有包容性、灵活的政治策略使其成为可能;再次,立足于现在说明和重塑过去的新型的充满哲学意味的史学理论、新的文艺历史维度之认识和文艺阐释观念成为其潜在理念上的支撑;另外,大众文化及其心理诉求也是造成这种偏移和转换的重要因素。正是在这种"复调"式话语及其理念的语境中,中国电影左冲右突,步履坎坷地探索着自己丰富复杂而又多元的未来。In the present co - existent context of multiple words and ideas, even some revolutionary subjects or the creation and performance of films based on them seem to undergo the alternative deviation and conversion, this paper tries to illustrate its features and essence. Meanwhile, mergence of the deviation and conversion： firstly, it reflects ness ; secondly, it ical history theory, the author also clarifies the multiple reasons of the e- the pursuit of truth in the process of removing blind- becomes possible by the inclusive and flexible political strategies ; thirdly, new - style philosoph- new understanding of literary history dimension and concept of literary interpretation which are based upon the present situation and the past reshaping become the potential conceptual support; in addition, mass culture and the psychological need are also the important reasons of the deviation and conversion. It is in the con- text of such polyphonic discourse and ideas that Chinese film is exploring its own abundant, complex but plural- istic future.

关 键 词：话语 理念 语境 红色影片 塑形 

分 类 号：J90[艺术—电影电视艺术]